I approached the Foley studio to record the footsteps because I believe it’s crucial for a film to have footsteps and clothes rubbing against the body.

It was difficult for me because I could see the character in the picture moving quickly and slowly, barefoot, across the hospital floor. I had to make a few attempts to follow the image at first, which gave me a sense of how challenging being a Foley artist is.

I also considered how the seemingly insignificant but essential sounds would need to be added in post-production if the filmmaker was unable to capture any of the intricate noises upfronts during the simultaneous recording. The criteria of the sound effects artist are not only conceptual simulations, as is frequently believed, nor are they a single duty of action concentration. The areas of expertise include movement simulation techniques, deft recording equipment use, unique electro-acoustic equipment use techniques, etc. It is effective at producing sounds that are both realistic and fantastical, as well as sounds that humans cannot perceive. Based on various subject matters, it can produce an unfathomable world of music.