I recorded a lot of my recorded sound material throughout my job and used part of it in the sound library because some of the noises were tough to Foley, thanks to the Foley artists that developed the sound library. We couldn’t have done the sound work as smoothly as we did without them doing the work of one person sowing and the other reaping.

Before one minute and forty seconds, my favourite sounds in the film were the sound of my rubbing and the creaking of the bed. I recorded the series of sounds as the main character is struggling to move his body in bed in my bedroom. I executed the same movements as the video, which was entertaining. The creaking of the iron structure was responsible for the other crunching sounds heard. I captured the sound of the clip when the main character pulled the I.V. needle out, even though I initially assumed the two noises would be completely different. However, when I added the track, I discovered that the two sounds were remarkably similar. All in all I think Foley left more to my imagination.

After finishing the entire sound, I detected sounds that I had missed, such as the actor pulling the IV tube when he stumbles into the toilet at 1:26, which I hadn’t observed before or after the recording. I didn’t record the scraping sound at 2:34 when the match is extinguished because I thought it would convey the protagonist’s haste to the audience. And if I had more time, I would have probably completed the entire 8-minute part I had chosen. Because the sound shift would have been significant after the segment I finished, which was made mainly of outdoor footage. I will also continue to refine this video and use this video piece as part of my portfolio for my postgraduate application.